Art Director Jopsu Ramu from Musuta Ltd. (a multidisciplinary design agency based in Helsinki & Tokyo) has created together with Shun Kawakami (artless Inc) an artist and designer from Tokyo - a piece titled Urban Abstract. This digital art piece is being shown as the November break bumpers on one of the biggest commercial TV channels in Finland: TV Nelonen.
Campaign of the film’s release in 2012 in Brazil. Action in the subway Cantagalo, in Copacabana - Rio de Janeiro, where a patch of about 45m on each side simulates a flood the submay.
Advertising Agency: Espaço/Z, Rio de Janeiro, Brazil
Creative Director: Antônio Guerra, Zé Maria de Oliveira.
Art Director: Filippe Vidal, Murilo Silvio, Julio Costa, Antônio Guerra
Copywriter: Felippe Mendonça
Published: October 2009
Designed by Sanwa, the waterproof pouch features a robust sealing mechanism to keep out the elements but still allows you to use the touch functions of the iPhone or iPod Touch as well as take photos via the rear window of the case. Although this won’t rank among the most feature rich items in your tech arsenal, it will certainly prove to be one of the most useful. You can pick up your own iPhone protector for just 3,280 yen (US$34)
555 KUBIK
“How it would be, if a house was dreaming”
The conception of this project consistently derives from its underlying architecture - the theoretic conception and visual pattern of the Hamburg Kunsthalle. The Basic idea of narration was to dissolve and break through the strict architecture of O. M. Ungers “Galerie der Gegenwart”. Resultant permeabilty of the solid facade uncovers different interpretations of conception, geometry and aesthetics expressed through graphics and movement. A situation of reflexivity evolves - describing the constitution and spacious perception of this location by means of the building itself.
Production: urbanscreen.com
Art Direction: Daniel Rossa - rossarossa.de
Technical Director: Thorsten Bauer
3D Operator: David Starmann shineundsein.de
Sound Design : Jonas Wiese
Brands and agencies alike, believe that changing your message is the best way to spark interest from the consumer.
When you have nothing interesting to say, change something.
I believe that doing the groundwork, understanding the place your brand fills in the consumer’s heart, spend time creating a strategic platform, choose a brilliant positioning and live with it.
This is the PEN Story in stop motion. We shot 60.000 pictures, developed 9.600 prints and shot over 1.800 pictures again. No post production! Thanks to all the stop motion artists who inspired us. We hope you enjoy :-)
Client: HP
Spot Title: “Kevin Garnett All-Arounder”
Agency: Goodby, Silverstein & Partners
Co-Chairman, Creative Director: Rich Silverstein
Creative Director: Steve Simpson
Creative Director: Will McGinness
Senior Art Director: Dino Spadavecchia
Senior Copywriter: Alex Flint
Producer: Todd Porter
Assistant Producers: Christine Oh, Jessica Mehl
Group Account Director: John Coyne
Account Director: Melissa Nelson
Account Manager: Nick Pacelli
Production Company: Psyop
Director: Psyop
Psyop Creative Directors: Todd Mueller, Kylie Matulick
Executive Producer: Neysa Horsburgh
Live Action Producer: Michael Angelos
Director of Photography: Max Malkin
Production Designer: Floyd Albee
Design/Animation/Visual Effects: Psyop
Psyop Creative Directors: Todd Mueller, Kylie Matulick
Executive Producer: Neysa Horsburgh
Producer: Kim Wildenburg
Lead Technical Directors: David Chontos, Kyle Cassidy
Designers: Alex Hanson & Joseph Chan
3D Artists: Terry Shigemitsu, Petrik Watson, Todd Akita, Colin Cromwell, Yvain Gnebro, Joon Seong Lee, Stefano Dubay
Flame: Alex Kolasinski & Chris DeCristo
Compositor: Shawn Berry
Editor: Patrick Griffin, Arcade Edit
Music: The Rumor Mill, Josh Ralph
Sound Design: 740 Sound design, Eddie Kim, Andrew Tracy
Key words and economic phrases comprise helicopters, fighter jets, tanks, and explosions—all obstacles we fight as we make our way toward the final goal. The POV camera work and excellent sound design help sell the ambiance of warfare and chaos as we duck in and around bunkers and dodge bombs of type.
This is a personal project that would not have been possible without the support of the Westpac Rescue Helicopter Service. Thanks to the entire team for their generous access during training exercises and patrols this Summer. Since the Service began in 1973, it has carried out more than 21,000 missions ranging from urgent patient transfers to dangerous search and rescue missions.
The Service depends entirely on the generous support of sponsors and the community to stay flying. Donations can be made here:
lifesaver.org.au/funding_challenge/donate.html
This film is 100% ‘real’, but there are some new techniques for me here, such as using time lapse to create the illusion of forward movement for the helicopter ocean scenes. These flight sequences would not be possible without the skill and patience of Chief Pilot Peter Yates. Thanks also to Trevor Cracknell (for getting wet!) and Family.